![]() "We did one session with the actor to work out the timing and leave holes for the stage actor, then it was all computerized. Heath Schwartz, Shrek's press agent explained that in the musical's Seattle tryouts the Mirror's performance was pre-taped. As they sat in the audience during the show's set-up, lights were hoisted into the rafters, scenery backdrops descended into view and rose again and the sound technician could be heard chanting "Donkey-Donkey-Donkey, Fiona-Fiona-Fiona" as he tested each character's microphone lines. The show's producers turned to Autodesk and the company's MotionBuilder software to do the job, and a handful of media reporters were invited to a Friday night performance to see MotionBuilder in action. Today however, the same technology that brings these moments to life onscreen can perform the identical magic onstage - and thanks to modern motion capture technology, go one better by doing it live, every night in real time. In the old days the producers might have settled for an actor on the other side of a pretend mirror, or perhaps a pre-produced piece of animation. ![]() Take for example the Magic Mirror that advises Lord Farquaad. Painting actors green or putting them in donkey suits is one thing, but the original animated film had more than its share of moments that might be challenging to recreate in front of a live audience. DreamWorks' big green ogre has been residing on Broadway since last fall, when SHREK THE MUSICAL debuted.
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